Saturday night's show at the Berkeley Community Theater [1/20/68] is a fine start in the direction of the bands taking over their own productions. Country Joe & the Fish did the whole thing and they came through well. The Congress of Wonders did a marvelous set, appearing on the rising stage and doing their "O Feel This Unchained" satire on the Haight-Ashbury and the generation gap to the audience's delight.
The band was good but not the best I have heard it, and the light show was not by Jerry Abrams' Headlights as advertised. I don't know who did it, but it was restricted considerably by only one screen to work on, and the use of the dancer in silhouette behind the screen was good but overdone.
The dance earlier in the week at the Carousel with the Grateful Dead, The Quicksilver, and the Abrams Headlights was a great success and one of the grooviest evenings in some time. The Dead are in excellent form and the Quick are at their best now, having just finished their Capitol album. Jerry Abrams' light show was first rate. For the opening set of the Dead, he ran a long sequence of film loops concentrating on eyeballs that was in perfect synchronization to the music and one of the most effective devices I've seen. Robert Nelson's award-winning film on the Dead was shown in the intermission and is intriguing, a montage, impressionistic visual extension of the sound track.
The Carousel is a great ballroom (it's the old El Patio at Market & Van Ness) and the bands will return there in mid-February again. Meanwhile, they are now touring the Pacific Northwest (they played to 2,000 people at Eureka Saturday night).
(by Ralph Gleason, from the Daily Californian, January 24, 1968)
(The rest of the article was about a poorly attended Aretha Franklin show at the Oakland Auditorium on Sunday 1/21.)
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OUTSIDE AGITATOR (excerpt)
[ . . . ] Last week at the Carousel Ballroom, an ancient stronghold of old folks and Irish dances, the hippies took over with the Grateful Dead and the Quicksilver Messenger Service playing a dance there. It was a beautiful evening with a gorgeous light show by Jerry Abrams' Headlights and marvelous, soul satisfying music by the bands.
Midway in the evening, the Irish manager of the hall, Gene Hagen, asked his "floor manager" (euphemism for bouncer) how it was going. The huge floor manager (who is built like two Green Bay Packer guards glued together) shrugged his immense shoulders and slowly smiled. "There's been no trouble all night," he said in wonder.
Downstairs on the door a sign (traditional to this kind of ballroom operation) still hung. "Male Patrons are expected to wear a coat and tie at all times," it read. I was wearing the only tie in the joint.
(by Ralph Gleason, from the Daily Californian, January 22, 1968)
(The rest of article was about the aftermath of the Monterey Pop Festival.)
Though short, this review is notable for paying as much attention to the visual show as the music. Jerry Abrams' Headlights were doubtless absent from Country Joe's show because they were off on tour with Quicksilver & the Dead.
ReplyDeleteAlso note that Robert Nelson's "Grateful Dead" short film was shown in the intermission at their show - I wonder how often that was done?
http://www.youtube.com/watch?v=q0iULSnZUkg
The Dead weren't running the Carousel Ballroom yet; it was still being occasionally rented from owner Bill Fuller for rock shows, but they probably had their eye on it already. Gleason notes that now "bands are taking over their own productions."
The Congress of Wonders was a comedy duo; you can hear the "Opheelthis Unchained" skit at http://www.thecongressofwonders.com (see track 15 for the 'generation gap' bit).
A few years later, Garcia would be seen laughing at their "Pigeon Park" skit of Jerry & Phil as wasted old men on a park bench...
http://deadsources.blogspot.com/2012/07/may-16-1971-family-dog-party.html
I added a tidbit from another of Gleason's "Outside Agitator" columns that week. His larger point was that the cops and straight folks didn't need to be so terrified of peaceful hippies who didn't fight or cause trouble. Case in point, the Carousel dance, "a beautiful evening."
ReplyDelete"Long hair, beads and blankets arouse instant fear and suspicion (and rock music does likewise)... The terror that strikes at the Elders' hearts and at the cops' psyche is a frightening thing to see. One of the very few times it has been alleviated was when the Monterey police finally grasped that these kids were harmless and accepted flowers and smiles from them and relaxed."
It's funny how the Carousel needed a gigantic bouncer to protect the place from "old folks and Irish dances." Or maybe to enforce the tie rule when needed...