RECALLING GRATEFUL DEAD
Though the Grateful Dead is still very much with us, it is entirely appropriate for a nostalgic look at what it was five years ago and we have it on "Vintage Dead" (Sunflower SUN-5001).
The music, sometimes called "San Francisco sound," which this group was largely responsible for popularizing, is no more available to us now than new grapes from a noble harvest of the last generation are to a vintner for a new pressing. We have pressings, record pressings in this case, but the freshness is gone: light shows, fuzztone and wavy-lined posters are no longer experiments.
The big difference in San Francisco music - that it was for dancing - is not the case today. Bay area ballrooms have had some hard times and rock is again mostly for listening.
But half a decade ago the Avalon Ballroom and the Fillmore were thrilling names even on this coast.
The Dead was the very first San Francisco group, though Jefferson Airplane became better known, and it innovated not only in music but in style. The Dead was the first group to live together, constantly playing and developing and in effect performing 24 hours a day.
It's different now. Some of those pioneers are dead from drugs, some groups have split, some have reformed and then split again, and each success removed a bit of the exuberance that was so appealing at the first.
Fortunately "Vintage Dead" is not a studio album but a concert, recorded in 1966 at the Avalon.
The music is not by the Dead, but by Bob Dylan or Wilson Pickett, but the treatment is pure San Francisco. There may have been more typical San Francisco concerts, but this is a fine example.
The sound is smooth, with bounce enough for dancing. "In the Midnight Hour" is a jam, not soulful but graceful. Grace is the distinguishing characteristic of the first San Francisco music. When the Dead sings Dylan's "It's All Over Now, Baby Blue" it loses all the harshness and bitter sound that Dylan usually writes into his songs.
We won't hear this sound again, live. For even the Dead or the Airplane, its time has passed by. It had an innocence that didn't last long.
(by Harry Eagar, from the Rock On! column in the Norfolk Ledger Star, January 12 1971)
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'THE DEAD' TRACE IT BACK
"Vintage Dead," The Grateful Dead, Sunflower Sin 5001
Of all the rock groups who have come to symbolize the psychedelic way of life in 1970, the Grateful Dead are very high on the list of early trippers. It is not only their music, which is Americana freaked out rock n' roll, but it is the Dead themselves, their beautiful communal way of life and their insistence on free concerts. As far back as you can trace the electric explosion of music, the Dead are there.
As with many of the early groups, The Dead have never really come across on record the way they are live. Live they are just very good, but on their albums, with the exceptions of "Working Man's Dead," they come across as nothing special. "Vintage Dead" breaks this pattern and for once gives you an honest sound from The Dead. It is old and dated, but it is still worth listening to. This record was recorded at the Avalon Ballroom in 1966 and one side of the album is "In the Midnight Hour" which really gives you a feeling for the famous Grateful Dead riffs and freak outs, where they seem to hand the music from one to the other and then back again. "Know Your Rider" and "It's All Over Now, Baby Blue" are part of the softer more mellow side of The Dead.
(from the Miami News, 26 October 1970)